Man i love last.fm even though it's been technically superseded (for most people) by Spotify's recommendation features. It just fit so well in the zeitgeist of 2000's indie scene, microblogs, early social media.
I don't think the recommendation engines behind Spotify, Youtube Music, etc compare to the recommendations I got from last.fm over the years. The algorithmic ones seem to have a bunch of issues that bug me as a long time music listener and someone with a large music library.
- their memory is short as hell so you can listen to something for a while, stop and then it'll suggest it to you later as something to "discover"
- they are way too biased towards recently listened music and will replay things over and over if you're not actively managing your queues.
- because they're so based on what you have listened to (recently) they suggest things that are extremely obvious music no one is "discovering"
- they suggest the "top" songs from artists, albums, etc, it's very hard to get it to play a "deep cut"
- if you have a large library you'll inevitably hit playlist song limits and other things silently. Each service handles this differently, Youtube Music seemingly kicks things out of my library or liked playlists each time I add something else.
I've literally just gotten in the habit of never using the autoplay features and just starting whole albums from start to finish again because the algorithms annoy me so much. Youtube Music has been getting worse about it too where now it often ignores the music you chose to start a playlist and starts playing things you've listened to recently regardless of it doesn't match the genre/vibe at all.
That's because the recommendation engine that Last.fm used back in the day was made the incredibly expensive way: the entire corpus was hand-tagged and cross-linked by humans atop an enormous CDDB. Last.fm, Audioscrobbler, and MusicBrainz (the association engine) were all linked together.
The recommendations engine used them but it's main strength was it was primarily based on collaborative filtering (https://en.wikipedia.org/wiki/Last.fm).
Essentially if people who listen to many of the same artists/tracks as I do have discovered other things I have not, then those unseen artists/tracks become candidate recommendations.
It worked as well as it did because they had a user base of music fans with a wide variety of tastes. CBS ran them into trouble when they upset those fans by breaking the radio and by being perceived as too close to the RIAA.
The will need to get the numbers up, but I'm hoping them being independent again is a good sign.
Is that even a problem? If someone consumes a lot of algorithmic recommendations and you don't, wouldn't that drift you farther apart in the last.fm relationship?
But Spotify has that as well. Tons of user curated playlists. And although user playback data is harder to parse through, it's also pretty straightforward to build some clustering algorithm where if you both like X then you might like Y as well.
My theory is that they don't have the incentive. Apple Genius was ridiculously good at music discovery, too. I shudder to think how much I spent on iTunes songs via genius over its run. But now that apple/spotify/etc get my monthly dollars either way, there's no huge incentive for them to create the discovery systems.
One really annoying example of YTM's algorithm is it (or whoever works on it) doesn't understand that a genre can have diverse sounds and instruments, so it will recommend songs that all sound the same.
Like if I start listening to house music, it will just recommend 100 songs that have organ 2 [0], even though house music is more diverse than that. Then it forces me to thumbs down the music, which also isn't what I want to do, because I have no idea what effect it's having on my recommendations. Is it just going to stop recommending house music altogether? Is it going to stop recommending songs with organ 2? Is it smart enough to understand that I just want less and not none? I do like organ 2, I just don't want to drown in it when I'm trying to find new music.
Or I will thumbs up a phonk song and it it just floods me with phonk remixes of pop songs.
Last.fm, on the other hand, seemed to have some way of towing a line of different enough without going too far. Both YTM and Spotify algos just do cookiecutter similarity.
One of the most infuriating things about recommendations engines is the way they handle non-English music. Maybe it's not with every language, but as soon as I listen to a Dutch song; the engines will recommend me ALL Dutch music, regardless of genre.
I've tried to switch to Spotify from Apple Music a few times because the common wisdom seems to be that Spotify has better algorithmic recommendations. But Apple Music "knows" what I like already, and Spotify never grabs me so fast that I'm willing to stick around for weeks training it -- and I suspect part of that is all of Apple Music's human-made playlists. Apple Music has hired a lot of good editors/curators over the years, and I haven't found any service -- including audiophile darlings Qobuz and Tidal -- that beats it in that aspect.
For me curation was better but I was really missing the ability to quickly seed a playlist with a specific vibe and build from there for specific moods.
That, and the desktop app and confusion between library and Apple Music streaming was annoying to manage. They need to unify that experience or split it completely.
Great summaries. I also have a real affection for my last.fm discovery, and I think it had everything to do with "deep discovery" going deep into the related artists pages. It really shaped my relationship to music and my love of music discovery and I sometimes find I don't click with people whose idea of discovery is The Algorithm(TM).
I tried to import my music life into Google Music, uploading my lifetime of libraries there. When they wound that down I just lost trust in online services and now do it through Nextcloud, which honestly is pretty awesome imo. There's no algorithmic suggestion for better or worse, but none of the "who ordered that" style assumptions imposed on you by the system like those you outlined above.
I'm 90% sure that music labels pay to "put their thumbs on the scales" with these recommendation algorithms in order to push their "hot" artists. I wonder how many of these problems are a result of that.
Personally I’m more suspicious of “classic” artists, where the royalty and songwriting picture might be very skewed behind the scenes. The corporate owners of Spotify favouring one catalog of, say, “70s music” versus another could lead to a long-term capture of that category with little reaction or awareness.
Hot artists, in my estimation, are more about bot campaigns to kick off and sweeten ‘hotness’ as they’re in an ongoing war against other talent of the moment (with shady labels on all sides).
Spotify was advised of payola scheme in federal court in the US, unfortunately last month the judge ruled that the TOS prevention of lawsuits against Spotify is legal.
We can never know for sure if this is or isn't the case, so our only hope for stuff we can be confident isn't this way is with foss / self host able solutions
Cannot call lastfm algorithm advanced in any sense. Just opened Amon Tobin page: "similar artists: Kid Koala and DJ Kush", which is an impressively shallow understanding of the last 20 (!!) years of his life, and this happened with almost every artist on the platform, because the average sum of tastes of every listener does not exist in reality. E.g. in the case of Amon Tobin, Kid Koala is the average of similarities between early albums and recent releases, which is just not true, his music cannot be averaged throughout his career. I love my Web 2.0 youth, but the average similarity algorithm doesnt deserve praise. Its not better, its nostalgia and lack of faang-style unlimited greed which confused with better quality
Edit: of course spotify-style recommendations are much much worse, I just mean that lastfm doesnt have good algorithm either because artists are not consistent in releases. What is an average between electronic cult classic "The last resort" and every other Trentemoller album in strict indie rock style? This average does not exist
The other frustration I’ve noticed is that they key in very heavily on artist and specific “genre” designation as what feeds the recommendation, which is actually quite bad for anyone who likes experimental work.
I understand that if your recommendations are based on “people who like this also tend to like that” then you’re right in the strike zone. But that approach is basically agnostic to any property of the music itself. Suppose there’s a rock band that released a specific song where they’re experimenting with a new style that has an atypically (for them) funky/jazzy influence. If I say I want more songs like that I mean songs that fuse rock/jazz/funk, not more songs that fans of [rock band] are into.
I still think for new music discovery Pandora’s approach remains the best if you really curate a station for yourself. Apple Music has been good for creating very listenable playlists though, and their new AI playlist generator has been very fun. Surprisingly, YouTube also seems to have some secret sauce where they recommend a lot of interesting stuff that I’ve genuinely never encountered before. I suspect this is because there’s a lot more amateur and experimental artists on there doing weirder stuff and it’s able to find audiences for those in ways that the music-focused services have less visibility into since their catalog is so focused on stuff from the recording industry.
> If I say I want more songs like that I mean songs that fuse rock/jazz/funk, not more songs that fans of [rock band] are into.
I agree. There are bands where I'm not into their usual stuff but they have one or two songs that I really like. It'd be nice to drill down even father into specifics like "this one section of this one song" or even just songs that feature certain instruments or similar sounding vocals.
I just think it's beautiful that I can see all the music I've listened to since 2005 (back when it was still called Audioscrobbler, before the Last.fm rename). And I never stopped scrobbling in all that time!
I love these kinds of stats and being able to see how my taste has changed across more than 20 years, since I was a teenager.
I do miss the old community forums they had integrated back in the day, though.
I second this. I started as an Audioscrobbler user before the Last.fm merger. I have tracked nearly every track I've listened to for 21 years. It's awesome seeing how my habits have changed over the years.
I love clicking on a random person's profile and seeing that they're actively using the account (as in, I can see they're currently listening to a specific song!) they've had for 20+ years. So cool.
As a long-time user, I do enjoy seeing how my tastes have changed over the years and which artists and albums I play the most. I also tend to agree that the Last.fm recommendation engine was perfectly fine for my use case compared to the algo that Spotify uses now. https://www.last.fm/user/wyclif
Same. I have one or more gaps in there which I wish I could go back and correct. I feel like integration with the service is a must for any music thing I pick up, the most recent being this year, resurrecting my old iTunes library via Navidrome.
For me last.fm's value lies in the community aspect: you can leave a comment on any artist, album, or individual track's page. There's not a single other place on the internet where I can go to to see what the people think of a song I'm listening to at any given moment (apart from perhaps YouTube, but we all know what the comments there are like - last.fm attracts a more sophisticated crowd by nature).
Unfortunately they have recently taken a rather drastic step towards undermining this community aspect of the site by gating the comment (or "shout", as they call it) box behind a "SEE WHAT OTHERS ARE SAYING BUTTON". Previously the top 5-10 comments would by default be visible on every artist/album/track page, but now there's an extra level of indirection you've go to go through to see or post comments. The move was never justified despite the vocal community's outrage on their forums [1], but I suspect it's got something to do with the site's poor performance, as previously comments failed to load about 30% of the time. Strange, yeah.
I've cancelled my Pro subscription a while ago as a result, but I'm excited to see what their independence from Paramount will bring.
I think RateYourMusic also allows for commenting pretty much on everything (and it also extends to film and, IIRC, videogames).
It might not be as friendly as last.fm on the surface, but it is surely richer in content, and more diverse. It's a gem, and I hope Sonemnic (?) doesn't drive it to the ground.
For me it doesn't really compare: with Last.FM all I've gotta do is navigate to my profile and the song I'm _currently_ playing on Spotify is right at the top, I just click it and boom, I'm on the track's page.
Besides, you can't leave comments under specific tracks on RYM.
I’m proud to say that I’m still using it, connected through Spotify! 23 years and counting, and it pretty much captured 100% of my listening activity. It’s a gimmick, but a nice gimmick to have and to be able to look up my music taste over time.
Pretty much all the machine learning recommendation engines that emerged in the Netflix era were doomed to collapse under their own weight over time for non-mainstream users because the some limited number of mainstream modes dominate as most statistically "optimal" across the total user pool. These algorithms are best in the early days, when they're still exploring the content space for good novel fits but eventually get trapped into deep, boring grooves that work really well for tons of non-discriminating users with similar tastes.
Separately, in real commercial terms, they're all fundamentally poisoned by business model objectives of highlighting cheap content or servicing partnership/advertising deals, etc. And that problem also becomes more and more prominent as the companies running them grow and become more influential and as they need to squeeze harder and harder for revenue growth.
It was basically just a long, winding, wildly expensive road back to broadcast radio programming.
It was a good run for a while, but we're long due for a new model.
The sad thing is that before Spotify bought the Echo Nest[1], they had hosted some of the coolest discovery demos for non-mainstream (in my case ambient/IDM) where you would feed it a youtube video URL and it would make a really compelling radio playlist based off it. i found so many artists i still listen to today by just sticking a video in there in the morning and coming back to the tab when something incredible popped up.
When Spotify bought TEN i considered moving my listening over, but the radio button we ended up with in Spotify and Youtube Music are huge disappointments in comparison, so corporatist and flattened to 1.5 dimensions, I always wondered how the magic was lost.
Bandcamp's feed (especially once you trick the UI in to showing you how to follow tags) is usually interesting to leave running but limited in its own way by the artist pool lacking mainstream tentpoles to jump off of.
> over time for non-mainstream users because the some limited number of mainstream modes dominate as most statistically "optimal" across the total user pool
This isn’t true, YouTube recommendations when it chooses music are amazing (no idea if YouTube Music is good I mean the video site).
Spotify recs are intentionally recommending you things cheap to stream or that have been paid for. It’s not a raw rec engine and it’s not bad cos it’s collapsing under normies, YouTube is proof of that.
Absolutely, you're hitting the same conclusions I've reached. The algorithms are optimized for the lowest friction users that just replay the same music they like over and over again and accept whatever the popular music is. If you're a user that likes music discovery you're fighting against the system to get what you want.
I’ve completely given up on recommendation engines from streaming services. It feels like they’re only good for creating background noise, not for helping me find music I actually want to listen to.
I’ve gone back to a very 90s approach. If I like a song from an artist, I check out the album. If I hear about an artist or album from someone, I listen to do. I’m also currently making my way through a list of the top 500 albums of all time to find some gems that I missed along the way. A streaming service is helpful for this to avoid spending a fortune or collecting a lot of music I don’t end up liking, but I treat the service more like a store. Apple Music works great for this, while Spotify and YouTube Music were a bit of a mess.
Yep, member since May 21 2005 here, still scrobbling with Spotify. Don't think I've ever used any of the radio features on the site, really; even back in the 00s all I used were the WinAmp/Foobar plug-ins.
Spotify recommendations are biased because user incentive and theirs don't align. They pay different royalties to different artists, they optimize earnings. Also, they take money to promote music and shove it down your throat.
One problem for me with Spotify and similar is that I don't use them. I want to be able to track what I've listened to but I only use my own, personal library via iTunes, not Apple Music.
Perhaps I'm wrong and some of these other services will track that but I don't have any desire to use the full on streaming services.
I loved how easy it was to scrobble from different music services. Haven't used it in years though so I have no idea if that's still the case. Stuff like that usually rots because it's not making someone money.
The advantage of last.fm is that it doesn't host the content, so it doesn't shape the music you listen to like using Netflix would shape the content you watch, it's content neutral.
last.fm is one of my very favorite services. It's rough around the edges in some parts, but I've gotten incredible value from it. A couple of websites built on it that I check out from time to time:
- https://lastfmviz.netlify.app/ - shows what you've been listening to as a grid of album covers. You can scroll down as long as you want. It's cool to look back and remember where I was when listening to specific music.
- https://lastfmstats.com/ - generates tons of rankings, line charts, racing bar charts, etc. A couple I like: "Artist streaks" (I listened to Pavement tracks 122 times in a row in August 2023), "Unique artists in a single month" (225 in July 2025) and "Unique weeks per artist/album/track" (good to identify what you're always listening to vs. what you listened to heavily in a specific time)
- https://pmcdonough8133.github.io/last.timer/ - shows your listening rankings by hours, minutes instead of just scrobble count. This really should be a default feature in the site, as some artists have average track length 2-3x times of others.
The middle one is fascinating. The first track I ever scrobbled is by an artist I have yet to listen to again in 22 years. Much of the longest gaps is taken up by bands I found or started to like due to Rock Band which came out around that time. Man I miss that too, we had 30 or 40 people over right after it came out and turned the house into a karaoke dive, right down to having to kick them off the couch the next morning.
If you're a Spotify user, you can get even more precise data by downloading your listening data. The website I linked gets data from MusicBrainz and tries to fill in the gaps with an average, but even then it gets some things wrong.
E.g. Fishmans - Long Season is a 40 minute song, but the website's considers it as divided into 4-5 parts. And you don't have to listen to the full song to get a scrobble.
In the Spotify data you get the exact number of seconds you listened to it. And it is surprisingly complete and easy to use too. With LLMs I bet you can load it into pandas and construct queries for any insight you want in seconds.
I love last.fm but never understood the URL structure naming convention. Why use a "+" instead of a "-" for every band page (e.g. https://www.last.fm/music/The+Beatles).
I thought Kebab-case is usually the norm, and I don't think I've seen the "+" in any other URL paths that aren't query strings. Any ideas why they formatted it like this?
I suspect it was an intentional choice so that artist names like Jay-Z remain properly separated in the URL, especially in cases of multiple-artist billings (ex. https://www.last.fm/music/Nas+&+Jay-Z)
Happy to see they mentioned their API usage won't change. Last year I was working on a small project (https://listeningfacts.com) around spotify's API but they decided to suddenly restrict access to it.
I was able to make it work with last.fm's API with no issue and they're more generous with the information they provide.
I've had the same experience. Spotify abruptly deprecated their recommendations API endpoint (https://community.spotify.com/t5/Spotify-for-Developers/spot...). I recently switched to last.fm and am able to generate recommendations via their API just fine and without being a pro subscriber.
I also had the delight of finding my streams from 2008 still in my history after not logging in for several years.
The only consequence from an insiders point of view is we suddenly needed training on the "Foreign Corrupt Practices Act" since last.fm was a UK company.
Last.fm used to be special, but this was a long time ago. Just tried to login, recovered the password and seems that its just a tracker nowadays. In the past I could listen to music and drop a comment, meet new people, etc.
It still has comments on albums/songs/artists, but most of the conversations are a bit dead.
I've still been using it since it's the best service (in my opinion) for simply tracking everything you listen to. Spotify does track the same thing but they don't really let you view the information the same way. For example, there's no way to view the list of your top artists ever like there is with last.fm (I just checked mine, it's: https://www.last.fm/user/[your username]/library/artists).
Hopefully the developers being unchained from CBS/Paramount can only mean good changes are coming to last.fm in the near future.
I tried to log in, and I remembered my password, but it forced me to do an email reset anyway. I no longer have that domain/email, so I guess my data and access are lost also. Shame.
Came here to say the same. I don't even know what this product is anymore. The website makes it sound like its about music but there is no music? I'm lost.
The last time I paid for LastFM was some time in 2009...but the home page just isn't clearly telling me what the service offers.
Among the people I know still using Last.FM, it's somewhere between having statistics about your music, and a recommendation engine. It isn't about playing the music, you can do that elsewhere. But by having data on every single piece of music you've listened to, it can recommend music you will like, and potentially recommend people with shared musical tastes as well. There's a feature to compare your musical compatibility with others.
For me, many years ago Last.FM recommended this weird electronic band that I'd never heard of, with the strange name "Boards Of Canada". That Last.FM recommendation was responsible for introducing me to my 2nd most listened to band of all time (just behind NIN). 2026 is many hexagons, dandelions and an inferno later.
Originally, it kind of worked like radio; it curated music for you, you could like, comment or skip tracks. It'd reinforce the algorithm, and you'd start finding great artists. I liked the Blues catalogue a lot, even though I was listening to reggae, ska, punk, etc. It just seemed they had the best music catalogue. I remember checking how big the catalogue was, comparatively with others, which was much smaller, but much, much better!
Today, we have Generative AI, generating an incomprehensible number of songs that no one will ever listen to.
I don't remember if I had to pay for Last.fm or not back then, but I'd definitely pay to have access to that old system.
I still use last.fm via Spotify. It is wild to see my entire listening history from 11th grade to present (20 years!). Always fun to poke through and see changes from one year or life phase to the next.
I've used last.fm since the beginning and I still use it to scrobble. I hope it goes back to the more open api and the ability to more freely customize the profile pages like was possible back before last.fm 2.0 or whatever it was when they massively overhauled everything.
Another alternative is listenbrainz [0], which is also self-hostable [1]. A smaller, lightweight, single user selfhostable alternative, and more about just the stats is Koito [2], and finally because obviously you want to scrobble everywhere at once, you can self-host Multi Scrobbler to scrobble to and from multiple sources at once. Yes, I like scrobbling ;)
The last time it was mentioned here, perhaps a couple of weeks ago, I tried to warm up my old last.fm account.
I once used it for a long time, but that time was maybe 20 years ago now. I wasn't even sure what my username, password, or email address would have been -- but I had some guesses.
So I guessed a few times. I guessed wrong. The wrong guesses apparently blocked me, since the sign-up page now always goes 403 for me.
When I tried with my pocket supercomputer instead, the infection spread to its signature as well: It 403s there, too.
I love Last.fm, I've been scrobbling for over 20 years now.
It's amazing to me that they have managed to stick around like they have. They're very much an "old internet" site, and I hope they can stick around for many many more years.
Congratulations (I guess), but what does “independent” mean here? Who bought it from whom (and why)? Is it employee owned now? Is it transitioning to a foundation?
Many many years ago I wrote a small platform to serve as an off-ramp for Last users. They had just been acquired and it wasn't going over super well with users. "What I listen to" (coworker suggested the name), shortened to wilt.
17 year old me had no idea what I was getting into. It was the best and worst project I've ever worked on.
A lot of respect to the guys and girls still working on Last and I'm very excited to see where it goes from here.
one of the very first programming projects I took on was to figure out how to scrobble the records that I was playing. It was my first exposure to so many things: Ruby, FFIs, audio processing, audio fingerprinting (I think I used echo nest ?). Ended up going to local meetups to ask for advice.
last.fm is one of those services that is from the pinnacle of the open web.
Is anyone using last.fm in 2026? This made sense when people were playing MP3s in their Windows Media Player or Winamp, but as 99% of the people just stream music now, what is the purpose of this service?
It has been maybe a decade since I met someone who actually uses the service.
I still use it. I use the Pulsar music player on Android which has an Audioscrobbler built in. I have my entire mp3/flac collection extra compressed into opus files, so that my 120GB of music is only taking up 43GB on my phone. When I'm listening in the car or on the train I really can't tell the drop in quality.
I really enjoy having almost 2 decades of my music listening history to play with + I use a couple different streaming services as well as vinyl and local playback, so it's nice to see my overall habits.
I can’t stand streaming and wanted to get off all streaming services and now self host every single piece of my digital media. Last.fm is an important component for the music side of my services in order to use the last.fm api to track listens and provide recommendations.
I still listen to the majority of my music as downloaded MP3s, but no, I do not use Last.FM anymore. I've become much more wary of being tracked and have no desire to give them information for free, much less pay for the privilege!
Wow, I hope this is good news! I'm in my 21st year of scrobbling and still so obsessed with the stats. Just recently, I built a browser extension [1] to make batch editing more convenient and to get even more data about my scrobbles.
I'm glad I kept using an Audioscrobbler since 2008. Right now I have it hooked up to Spotify, but I've used one with foobar2000 for non-streaming, and have found other players to have the functionality for the most part (at least the ones I've made use of). I even had an extension for Chrome and Firefox that would send the data from YouTube's website when I used to listen to music on there.
Happy they are independent and allowing access to their API. Seems like it may be time to work on a personal project to track the data in a way that matters to me, rather than just what you normally get built in.
There's still a ton of value in the historical recommendations on last.fm's site. What its future looks like, I'm not sure. I'd love to know who is going to operate it now that it is independent.
I'd recommend ListenBrainz for folks interested in similar tracking and some recommendations with clearer ownership.
For my own historical interests, I have a Navidrome plugin writing to my own API and surface charts across time periods by querying the postgres database it writes to.
Congratulations to last.fm on this, although I'm not sure what I can do that actually "scrobbles" at this point. I went to their download page for the Mac desktop app, which somewhat forebodingly referred to "what you've been playing in iTunes" rather than Apple Music, and downloaded it anyway. It's an Intel-only app, not universal, and it doesn't appear to be signed, so macOS Tahoe screams about it being possible malware.
After going through the hula dance to open it anyway, it looks like it's working, but it sure doesn't look like it's received a lot of love recently.
Spotify scrobbles to Last.FM (it's built-in to Spotify as a setting somewhere, from memory). On Windows, MusicBee will scrobble everything you play through it. On Android, the Last.FM app can watch playback notifications of Android music apps that you select and scrobble those - the app itself doesn't have to have Last.FM support.
I'm mostly unfamiliar with the current offering of last.fm, but the name is familiar from way back. Glad to see something well-liked reclaim some independence.
At a glance, they're providing an interface to YT sourced content with some value adds around tracking or categorizing listening.
A quick question for users: can the site itself be configured as a listener without streaming / displaying the video? In general, YT has a lot of music, but the perf hit of streaming typically high-quality video as well is a blocker when doing dev work on my main machine.
This is great news! I worked on the redesign and replatform with last.fm when they were part CBS Interactive. They were a lovely team of engineers and designers who cared about their product, and I appreciated their culture. Fun memories spending time in London with the team. Glad to hear they found a new home!
Downside of it is like all Metabrainz projects they seem to intentionally go and make everything as utterly ugly as possible. It feels like someone there intentionally thinks up ways to make the worst UX possible.
Wish I'd kept using my last.fm account. It's a shame that although Apple + Spotify both allow you to download your full listening history you can't upload it (and keep dates/times) to fill out your historical data. I'd start using it in a heartbeat again if they allowed that.
Me too. I tried loggin in, and after a forced password reset I am back, though back to 2018 it turns out.
On Spotify I made a playlist with over 4,000 songs from Last FM. I remember doing it but I couldn't say how I did it now. And also a "loved" playlist which I am revisiting now. First track Whitest Boy Alive: Golden Cage, a stonker.
I hope that means it will improve now. There's such a rich space of features that they could do. Had some hope with their experimental Labs but I remember being underwhelmed and not seeing anything about it recently.
This is very exciting. The music landscape is just as chaotic as it was back in 2007 (when CBS acquired Last.fm) if not even more complex these days. Can't wait to see what's next. <3
So lastfm become relevant again because slop will not appear statistically in user scrobblings because of vast amount of "musicians" required to be profitable: if I listen to 1000 AI artists with one track produced and Linkin Park then my average will be Linkin Park
I have a history going back to 2012, which is great. I've always worried Spotify would stop working with last.fm, I wonder if this makes it more or less likely.
No idea what last.fm is. Clicked the logo at the top of the forum, but that's one of those prank links that takes you to the page you're already on. Typed in last.fm manually and got
Your request was blocked
To protect our website, our security firewall has flagged this request as potentially unsafe.
I really only ever used it so that a girl I liked would be able to see what I was listening to. She commented on my page. We ended up getting together for a few years. I miss my youth.
I think Last.fm might have been a better friend finding and dating app than any of its contemporaries or anything that came after. Seems like everyone in this thread or anyone I know IRL has a story of making a good connection with someone via it. I know I'll always cherish the people I got to know on there.
Sitting at 239,447, next to no scrobbling from 2017-2022, and I deleted my old account because of a piracy panic, so nothing before 2008. https://www.last.fm/user/YoshiSlen
Clicked join: "Your request was blocked. To protect our website, our security firewall has flagged this request as potentially unsafe."
Linux, Firefox, uBlock Origin. Nothing else special. I've really been looking for an alternative too. Thanks for at least showing me what to expect before sign up. Guess I'll pass.
I remember Last.fm's value proposition was 1) discovery and 2) community. (1) is (mostly, for most people) covered by "feed" algorithms of Spotify and YouTube.
I wonder how they're going to position themselves now.
As someone who used to hang out on various music forums...a human recommendation based on careful analysis of your last.fm scrobbles was infinitely more useful and accurate than anything Pandora/YouTube/Spotify/Tidal ever recommended me. Humans can infer not just what you like, but what you don't like.
Community largely died out already by 2012. Originally Last.fm enabled a lot of IRL socializing, connecting hipsters who lived in the same town and listened to the same music. Changes in music-listening habits, the atomization of tastes in a world where so much was available, and CBS not having a clue what to do with the site -- that killed Last.fm except for just a way to track one's own plays.
It was such a hassle exporting my data from last.fm to libre.fm when they were bought out in 2007 (and then all the founders left in 2009). But I'm glad I did it. While it's nice that last.fm is "independent" now, they're still for-profit and probably should be avoided.
Last.fm & in particular audioscrobbling has been such an amazing joy to have in the world. Music is so important to me, and it's amazing having this system to help see over time what friends and I myself enjoy.
These days, for auduiscrobbling, I recommend folks use either teal.fm (which alas is somewhat DIY or find-a-friend for their API service) or rocksky.app. There's a better credible exit, as it's based on atproto/Bluesky protocols, and a richer world of apps & interconnectivitiws emerging.
"The company has generated an operating loss for the year to 31 December 2024 of £690,252 (2023: profit of £1,509,544) and revenue of £2,215,381 (2023: £1,960,340). As at 31 December 2024, net liabilities were £45,506,488 (2023: £44,855,202)."
"The financial statements have been prepared on a going concern basis on the grounds that Paramount Global has confirmed that it will continue to provide financial and other support to Last. FM Limited at least for the next twelve months and thereafter for the foreseeable future to enable Last.FM Limited to continue to meet all its liabilities as they fall due."
I wonder what their financing plan is, and what shape this independence will take, whether Paramount is retaining a minority ownership take? Seems like they might just be able to scrape break even based on current revenue.
Anyone else music listening habits change in the past six months to listening to one owns AI Slop? My slop (been a real hobby songwriter of melodies & lyrics since a kid..decades ago) has the most meaning to me it’s just not me singing. Now it sounds pro and some ppl when I’m playing it actually like it vs. my own rough demos (guitar, vocal and added drums/bass via GarageBand). I actually don’t care if others hear my slop as it’s all my own ideas…words and melodies which have way more meaning then Listening to another’s music/songs.
Man i love last.fm even though it's been technically superseded (for most people) by Spotify's recommendation features. It just fit so well in the zeitgeist of 2000's indie scene, microblogs, early social media.
I don't think the recommendation engines behind Spotify, Youtube Music, etc compare to the recommendations I got from last.fm over the years. The algorithmic ones seem to have a bunch of issues that bug me as a long time music listener and someone with a large music library.
- their memory is short as hell so you can listen to something for a while, stop and then it'll suggest it to you later as something to "discover"
- they are way too biased towards recently listened music and will replay things over and over if you're not actively managing your queues.
- because they're so based on what you have listened to (recently) they suggest things that are extremely obvious music no one is "discovering"
- they suggest the "top" songs from artists, albums, etc, it's very hard to get it to play a "deep cut"
- if you have a large library you'll inevitably hit playlist song limits and other things silently. Each service handles this differently, Youtube Music seemingly kicks things out of my library or liked playlists each time I add something else.
I've literally just gotten in the habit of never using the autoplay features and just starting whole albums from start to finish again because the algorithms annoy me so much. Youtube Music has been getting worse about it too where now it often ignores the music you chose to start a playlist and starts playing things you've listened to recently regardless of it doesn't match the genre/vibe at all.
That's because the recommendation engine that Last.fm used back in the day was made the incredibly expensive way: the entire corpus was hand-tagged and cross-linked by humans atop an enormous CDDB. Last.fm, Audioscrobbler, and MusicBrainz (the association engine) were all linked together.
The recommendations engine used them but it's main strength was it was primarily based on collaborative filtering (https://en.wikipedia.org/wiki/Last.fm).
Essentially if people who listen to many of the same artists/tracks as I do have discovered other things I have not, then those unseen artists/tracks become candidate recommendations.
It worked as well as it did because they had a user base of music fans with a wide variety of tastes. CBS ran them into trouble when they upset those fans by breaking the radio and by being perceived as too close to the RIAA.
The will need to get the numbers up, but I'm hoping them being independent again is a good sign.
> The will need to get the numbers up, but I'm hoping them being independent again is a good sign.
The problem will be recovering from algorithmic poisoning from folks just scrobbling from spotify
Is that even a problem? If someone consumes a lot of algorithmic recommendations and you don't, wouldn't that drift you farther apart in the last.fm relationship?
Just filter out Spotify entries. Scrobbles are tagged with the source.
I think pandora had the best recommendations - because it was based on real human input, not AI and not even "group think".
Sadly many years ago pandora bacame US only, so I couldnt use it (did not bother with VPN).
But Spotify has that as well. Tons of user curated playlists. And although user playback data is harder to parse through, it's also pretty straightforward to build some clustering algorithm where if you both like X then you might like Y as well.
My theory is that they don't have the incentive. Apple Genius was ridiculously good at music discovery, too. I shudder to think how much I spent on iTunes songs via genius over its run. But now that apple/spotify/etc get my monthly dollars either way, there's no huge incentive for them to create the discovery systems.
Spotify is pay to win (play) - especially user curated ones playlists.
One really annoying example of YTM's algorithm is it (or whoever works on it) doesn't understand that a genre can have diverse sounds and instruments, so it will recommend songs that all sound the same.
Like if I start listening to house music, it will just recommend 100 songs that have organ 2 [0], even though house music is more diverse than that. Then it forces me to thumbs down the music, which also isn't what I want to do, because I have no idea what effect it's having on my recommendations. Is it just going to stop recommending house music altogether? Is it going to stop recommending songs with organ 2? Is it smart enough to understand that I just want less and not none? I do like organ 2, I just don't want to drown in it when I'm trying to find new music.
Or I will thumbs up a phonk song and it it just floods me with phonk remixes of pop songs.
Last.fm, on the other hand, seemed to have some way of towing a line of different enough without going too far. Both YTM and Spotify algos just do cookiecutter similarity.
[0]: https://www.youtube.com/watch?v=Iq61C8gndjM
One of the most infuriating things about recommendations engines is the way they handle non-English music. Maybe it's not with every language, but as soon as I listen to a Dutch song; the engines will recommend me ALL Dutch music, regardless of genre.
I switched to Apple Music to save some money and I find the curation and the recommendations to be significantly better than Spotify.
I've tried to switch to Spotify from Apple Music a few times because the common wisdom seems to be that Spotify has better algorithmic recommendations. But Apple Music "knows" what I like already, and Spotify never grabs me so fast that I'm willing to stick around for weeks training it -- and I suspect part of that is all of Apple Music's human-made playlists. Apple Music has hired a lot of good editors/curators over the years, and I haven't found any service -- including audiophile darlings Qobuz and Tidal -- that beats it in that aspect.
If I search for random songs Apple Music immediately starts suggesting similar songs. I'd prefer only added or liked music be used as signals.
For me curation was better but I was really missing the ability to quickly seed a playlist with a specific vibe and build from there for specific moods.
That, and the desktop app and confusion between library and Apple Music streaming was annoying to manage. They need to unify that experience or split it completely.
Great summaries. I also have a real affection for my last.fm discovery, and I think it had everything to do with "deep discovery" going deep into the related artists pages. It really shaped my relationship to music and my love of music discovery and I sometimes find I don't click with people whose idea of discovery is The Algorithm(TM).
I tried to import my music life into Google Music, uploading my lifetime of libraries there. When they wound that down I just lost trust in online services and now do it through Nextcloud, which honestly is pretty awesome imo. There's no algorithmic suggestion for better or worse, but none of the "who ordered that" style assumptions imposed on you by the system like those you outlined above.
I'm 90% sure that music labels pay to "put their thumbs on the scales" with these recommendation algorithms in order to push their "hot" artists. I wonder how many of these problems are a result of that.
Personally I’m more suspicious of “classic” artists, where the royalty and songwriting picture might be very skewed behind the scenes. The corporate owners of Spotify favouring one catalog of, say, “70s music” versus another could lead to a long-term capture of that category with little reaction or awareness.
Hot artists, in my estimation, are more about bot campaigns to kick off and sweeten ‘hotness’ as they’re in an ongoing war against other talent of the moment (with shady labels on all sides).
Spotify was advised of payola scheme in federal court in the US, unfortunately last month the judge ruled that the TOS prevention of lawsuits against Spotify is legal.
Every popular spotify playlist has a bunch of good songs and then like one or two "huh?" songs sprinkled in. It's really obvious what's going on.
We can never know for sure if this is or isn't the case, so our only hope for stuff we can be confident isn't this way is with foss / self host able solutions
Using the historical record that they absolutely did this, there is no reason to give them the benefit of the doubt that they are not now doing this.
Cannot call lastfm algorithm advanced in any sense. Just opened Amon Tobin page: "similar artists: Kid Koala and DJ Kush", which is an impressively shallow understanding of the last 20 (!!) years of his life, and this happened with almost every artist on the platform, because the average sum of tastes of every listener does not exist in reality. E.g. in the case of Amon Tobin, Kid Koala is the average of similarities between early albums and recent releases, which is just not true, his music cannot be averaged throughout his career. I love my Web 2.0 youth, but the average similarity algorithm doesnt deserve praise. Its not better, its nostalgia and lack of faang-style unlimited greed which confused with better quality
Edit: of course spotify-style recommendations are much much worse, I just mean that lastfm doesnt have good algorithm either because artists are not consistent in releases. What is an average between electronic cult classic "The last resort" and every other Trentemoller album in strict indie rock style? This average does not exist
do you know of a better recommendation algorithm?
RateYourMusic’s recommendations are solid
The other frustration I’ve noticed is that they key in very heavily on artist and specific “genre” designation as what feeds the recommendation, which is actually quite bad for anyone who likes experimental work.
I understand that if your recommendations are based on “people who like this also tend to like that” then you’re right in the strike zone. But that approach is basically agnostic to any property of the music itself. Suppose there’s a rock band that released a specific song where they’re experimenting with a new style that has an atypically (for them) funky/jazzy influence. If I say I want more songs like that I mean songs that fuse rock/jazz/funk, not more songs that fans of [rock band] are into.
I still think for new music discovery Pandora’s approach remains the best if you really curate a station for yourself. Apple Music has been good for creating very listenable playlists though, and their new AI playlist generator has been very fun. Surprisingly, YouTube also seems to have some secret sauce where they recommend a lot of interesting stuff that I’ve genuinely never encountered before. I suspect this is because there’s a lot more amateur and experimental artists on there doing weirder stuff and it’s able to find audiences for those in ways that the music-focused services have less visibility into since their catalog is so focused on stuff from the recording industry.
> If I say I want more songs like that I mean songs that fuse rock/jazz/funk, not more songs that fans of [rock band] are into.
I agree. There are bands where I'm not into their usual stuff but they have one or two songs that I really like. It'd be nice to drill down even father into specifics like "this one section of this one song" or even just songs that feature certain instruments or similar sounding vocals.
I just think it's beautiful that I can see all the music I've listened to since 2005 (back when it was still called Audioscrobbler, before the Last.fm rename). And I never stopped scrobbling in all that time!
I love these kinds of stats and being able to see how my taste has changed across more than 20 years, since I was a teenager.
I do miss the old community forums they had integrated back in the day, though.
I just remembered that I met one of my best friends to this day through Last.fm. It was 2009 or so, and you could leave messages on concert pages.
I posted asking if anyone wanted to go with me since I didn't want to go alone, and she sent me a message.
Good times.
I second this. I started as an Audioscrobbler user before the Last.fm merger. I have tracked nearly every track I've listened to for 21 years. It's awesome seeing how my habits have changed over the years.
I love clicking on a random person's profile and seeing that they're actively using the account (as in, I can see they're currently listening to a specific song!) they've had for 20+ years. So cool.
As a long-time user, I do enjoy seeing how my tastes have changed over the years and which artists and albums I play the most. I also tend to agree that the Last.fm recommendation engine was perfectly fine for my use case compared to the algo that Spotify uses now. https://www.last.fm/user/wyclif
Same. I have one or more gaps in there which I wish I could go back and correct. I feel like integration with the service is a must for any music thing I pick up, the most recent being this year, resurrecting my old iTunes library via Navidrome.
For me last.fm's value lies in the community aspect: you can leave a comment on any artist, album, or individual track's page. There's not a single other place on the internet where I can go to to see what the people think of a song I'm listening to at any given moment (apart from perhaps YouTube, but we all know what the comments there are like - last.fm attracts a more sophisticated crowd by nature).
Unfortunately they have recently taken a rather drastic step towards undermining this community aspect of the site by gating the comment (or "shout", as they call it) box behind a "SEE WHAT OTHERS ARE SAYING BUTTON". Previously the top 5-10 comments would by default be visible on every artist/album/track page, but now there's an extra level of indirection you've go to go through to see or post comments. The move was never justified despite the vocal community's outrage on their forums [1], but I suspect it's got something to do with the site's poor performance, as previously comments failed to load about 30% of the time. Strange, yeah.
I've cancelled my Pro subscription a while ago as a result, but I'm excited to see what their independence from Paramount will bring.
[1]: https://support.last.fm/t/artist-shoutbox/117534
I think RateYourMusic also allows for commenting pretty much on everything (and it also extends to film and, IIRC, videogames).
It might not be as friendly as last.fm on the surface, but it is surely richer in content, and more diverse. It's a gem, and I hope Sonemnic (?) doesn't drive it to the ground.
For me it doesn't really compare: with Last.FM all I've gotta do is navigate to my profile and the song I'm _currently_ playing on Spotify is right at the top, I just click it and boom, I'm on the track's page.
Besides, you can't leave comments under specific tracks on RYM.
I’m proud to say that I’m still using it, connected through Spotify! 23 years and counting, and it pretty much captured 100% of my listening activity. It’s a gimmick, but a nice gimmick to have and to be able to look up my music taste over time.
I've felt a serious reduction in quality of recommendations from spotify the past couple years. Maybe I'll try last.fm
More than a feeling.
Pretty much all the machine learning recommendation engines that emerged in the Netflix era were doomed to collapse under their own weight over time for non-mainstream users because the some limited number of mainstream modes dominate as most statistically "optimal" across the total user pool. These algorithms are best in the early days, when they're still exploring the content space for good novel fits but eventually get trapped into deep, boring grooves that work really well for tons of non-discriminating users with similar tastes.
Separately, in real commercial terms, they're all fundamentally poisoned by business model objectives of highlighting cheap content or servicing partnership/advertising deals, etc. And that problem also becomes more and more prominent as the companies running them grow and become more influential and as they need to squeeze harder and harder for revenue growth.
It was basically just a long, winding, wildly expensive road back to broadcast radio programming.
It was a good run for a while, but we're long due for a new model.
The sad thing is that before Spotify bought the Echo Nest[1], they had hosted some of the coolest discovery demos for non-mainstream (in my case ambient/IDM) where you would feed it a youtube video URL and it would make a really compelling radio playlist based off it. i found so many artists i still listen to today by just sticking a video in there in the morning and coming back to the tab when something incredible popped up.
When Spotify bought TEN i considered moving my listening over, but the radio button we ended up with in Spotify and Youtube Music are huge disappointments in comparison, so corporatist and flattened to 1.5 dimensions, I always wondered how the magic was lost.
Bandcamp's feed (especially once you trick the UI in to showing you how to follow tags) is usually interesting to leave running but limited in its own way by the artist pool lacking mainstream tentpoles to jump off of.
[1]: https://en.wikipedia.org/wiki/The_Echo_Nest
> over time for non-mainstream users because the some limited number of mainstream modes dominate as most statistically "optimal" across the total user pool
This isn’t true, YouTube recommendations when it chooses music are amazing (no idea if YouTube Music is good I mean the video site).
Spotify recs are intentionally recommending you things cheap to stream or that have been paid for. It’s not a raw rec engine and it’s not bad cos it’s collapsing under normies, YouTube is proof of that.
Absolutely, you're hitting the same conclusions I've reached. The algorithms are optimized for the lowest friction users that just replay the same music they like over and over again and accept whatever the popular music is. If you're a user that likes music discovery you're fighting against the system to get what you want.
I’ve completely given up on recommendation engines from streaming services. It feels like they’re only good for creating background noise, not for helping me find music I actually want to listen to.
I’ve gone back to a very 90s approach. If I like a song from an artist, I check out the album. If I hear about an artist or album from someone, I listen to do. I’m also currently making my way through a list of the top 500 albums of all time to find some gems that I missed along the way. A streaming service is helpful for this to avoid spending a fortune or collecting a lot of music I don’t end up liking, but I treat the service more like a store. Apple Music works great for this, while Spotify and YouTube Music were a bit of a mess.
I use it with Spotify to track my listens and sort by artist, album and the like. It definitely still has value, even for Spotify users!
Yep, member since May 21 2005 here, still scrobbling with Spotify. Don't think I've ever used any of the radio features on the site, really; even back in the 00s all I used were the WinAmp/Foobar plug-ins.
Spotify recommendations are biased because user incentive and theirs don't align. They pay different royalties to different artists, they optimize earnings. Also, they take money to promote music and shove it down your throat.
Wasn’t it more like SoundCloud?
I never used last.fm but I always assumed it was more like SoundCloud. It’s been a few years I don’t use SoundCloud though.
I would argue it’s still unparalleled for recommendations
One problem for me with Spotify and similar is that I don't use them. I want to be able to track what I've listened to but I only use my own, personal library via iTunes, not Apple Music.
Perhaps I'm wrong and some of these other services will track that but I don't have any desire to use the full on streaming services.
You could scrobble to Last.fm or ListenBrainz to track your personal library listens.
Yes, I use last.fm. My mistake, thought I said that. Instead I just launched into my anti-streaming bit :)
I loved how easy it was to scrobble from different music services. Haven't used it in years though so I have no idea if that's still the case. Stuff like that usually rots because it's not making someone money.
It is. It's super easy to do so. You can send anything via the API.
The advantage of last.fm is that it doesn't host the content, so it doesn't shape the music you listen to like using Netflix would shape the content you watch, it's content neutral.
last.fm is one of my very favorite services. It's rough around the edges in some parts, but I've gotten incredible value from it. A couple of websites built on it that I check out from time to time:
- https://lastfmviz.netlify.app/ - shows what you've been listening to as a grid of album covers. You can scroll down as long as you want. It's cool to look back and remember where I was when listening to specific music.
- https://lastfmstats.com/ - generates tons of rankings, line charts, racing bar charts, etc. A couple I like: "Artist streaks" (I listened to Pavement tracks 122 times in a row in August 2023), "Unique artists in a single month" (225 in July 2025) and "Unique weeks per artist/album/track" (good to identify what you're always listening to vs. what you listened to heavily in a specific time)
- https://pmcdonough8133.github.io/last.timer/ - shows your listening rankings by hours, minutes instead of just scrobble count. This really should be a default feature in the site, as some artists have average track length 2-3x times of others.
If you use Spotify, another site I've had loads of fun with is https://explorify.link/.
Give LastWave a try! My buddy built it back in college and updated it recently.
https://savas.ca/lastwave/
Generates a groovy wave chart of all your past listening.
The middle one is fascinating. The first track I ever scrobbled is by an artist I have yet to listen to again in 22 years. Much of the longest gaps is taken up by bands I found or started to like due to Rock Band which came out around that time. Man I miss that too, we had 30 or 40 people over right after it came out and turned the house into a karaoke dive, right down to having to kick them off the couch the next morning.
> shows your listening rankings by hours, minutes instead of just scrobble count
I've wanted to build something like this for a long time, cool (and unsurprising, really) to see it's already done!
Swans is my number 30 by scrobbles but 4 by playtime, which makes total sense.
If you're a Spotify user, you can get even more precise data by downloading your listening data. The website I linked gets data from MusicBrainz and tries to fill in the gaps with an average, but even then it gets some things wrong.
E.g. Fishmans - Long Season is a 40 minute song, but the website's considers it as divided into 4-5 parts. And you don't have to listen to the full song to get a scrobble.
In the Spotify data you get the exact number of seconds you listened to it. And it is surprisingly complete and easy to use too. With LLMs I bet you can load it into pandas and construct queries for any insight you want in seconds.
Nice tip, but I use YouTube Music. I just downloaded my listening history, looks like they don't include listening duration, alas.
a while ago I created this one, for when you want to listen to a familiar album, but can't decide which one: https://what-to-listen.chef-labs.deno.net/
Thanks for sharing lastfmstats, wasn't familiar with that one! Delightful and nostalgic seeing the listens sliced as they have
Thanks for sharing, these are awesome ways to explore your data.
I love last.fm but never understood the URL structure naming convention. Why use a "+" instead of a "-" for every band page (e.g. https://www.last.fm/music/The+Beatles).
I thought Kebab-case is usually the norm, and I don't think I've seen the "+" in any other URL paths that aren't query strings. Any ideas why they formatted it like this?
I suspect it was an intentional choice so that artist names like Jay-Z remain properly separated in the URL, especially in cases of multiple-artist billings (ex. https://www.last.fm/music/Nas+&+Jay-Z)
I believe "+" is the URL encoding for space and they're just putting the band names into the URL before encoding (thus "The Beatles" -> "The+Beatles")
Happy to see they mentioned their API usage won't change. Last year I was working on a small project (https://listeningfacts.com) around spotify's API but they decided to suddenly restrict access to it.
I was able to make it work with last.fm's API with no issue and they're more generous with the information they provide.
I've had the same experience. Spotify abruptly deprecated their recommendations API endpoint (https://community.spotify.com/t5/Spotify-for-Developers/spot...). I recently switched to last.fm and am able to generate recommendations via their API just fine and without being a pro subscriber.
I also had the delight of finding my streams from 2008 still in my history after not logging in for several years.
the previous owner doesnt appear to be mentioned in the post (or, at least, not easily found).
CBS Coporation (owned by Paramount) bought last.fm in 2007
So what exactly happened, did management buy the company from them?
Purchased and then completely ignored.
The only consequence from an insiders point of view is we suddenly needed training on the "Foreign Corrupt Practices Act" since last.fm was a UK company.
Thanks. My first thought was "independent from what?". I'm a last.fm user since 2006 but never noticed any ownership changes.
Last.fm used to be special, but this was a long time ago. Just tried to login, recovered the password and seems that its just a tracker nowadays. In the past I could listen to music and drop a comment, meet new people, etc.
It was special way before playback was introduced. The tracking is the reason I've been using it for 22 (!) years.
It still has comments on albums/songs/artists, but most of the conversations are a bit dead.
I've still been using it since it's the best service (in my opinion) for simply tracking everything you listen to. Spotify does track the same thing but they don't really let you view the information the same way. For example, there's no way to view the list of your top artists ever like there is with last.fm (I just checked mine, it's: https://www.last.fm/user/[your username]/library/artists).
Hopefully the developers being unchained from CBS/Paramount can only mean good changes are coming to last.fm in the near future.
You can install your spotify and pull in all the data from Spotify.
https://github.com/Yooooomi/your_spotify
I tried to log in, and I remembered my password, but it forced me to do an email reset anyway. I no longer have that domain/email, so I guess my data and access are lost also. Shame.
Came here to say the same. I don't even know what this product is anymore. The website makes it sound like its about music but there is no music? I'm lost.
The last time I paid for LastFM was some time in 2009...but the home page just isn't clearly telling me what the service offers.
Among the people I know still using Last.FM, it's somewhere between having statistics about your music, and a recommendation engine. It isn't about playing the music, you can do that elsewhere. But by having data on every single piece of music you've listened to, it can recommend music you will like, and potentially recommend people with shared musical tastes as well. There's a feature to compare your musical compatibility with others.
For me, many years ago Last.FM recommended this weird electronic band that I'd never heard of, with the strange name "Boards Of Canada". That Last.FM recommendation was responsible for introducing me to my 2nd most listened to band of all time (just behind NIN). 2026 is many hexagons, dandelions and an inferno later.
Are you ironic when you say you never heard of "Boards of Canada"?
Originally, it kind of worked like radio; it curated music for you, you could like, comment or skip tracks. It'd reinforce the algorithm, and you'd start finding great artists. I liked the Blues catalogue a lot, even though I was listening to reggae, ska, punk, etc. It just seemed they had the best music catalogue. I remember checking how big the catalogue was, comparatively with others, which was much smaller, but much, much better!
Today, we have Generative AI, generating an incomprehensible number of songs that no one will ever listen to.
I don't remember if I had to pay for Last.fm or not back then, but I'd definitely pay to have access to that old system.
So CBS spun them back out as their own corp or did the employee's or someone else buy it from CBS?
Just declaring themselves independent without details doesn't provide much context. I feel like Michael Scott just declared bankruptcy.
I still use last.fm via Spotify. It is wild to see my entire listening history from 11th grade to present (20 years!). Always fun to poke through and see changes from one year or life phase to the next.
I've used last.fm since the beginning and I still use it to scrobble. I hope it goes back to the more open api and the ability to more freely customize the profile pages like was possible back before last.fm 2.0 or whatever it was when they massively overhauled everything.
Another alternative is listenbrainz [0], which is also self-hostable [1]. A smaller, lightweight, single user selfhostable alternative, and more about just the stats is Koito [2], and finally because obviously you want to scrobble everywhere at once, you can self-host Multi Scrobbler to scrobble to and from multiple sources at once. Yes, I like scrobbling ;)
[0]: https://listenbrainz.org/
[1]: https://github.com/metabrainz/listenbrainz-server
[2]: https://github.com/gabehf/Koito/
[3]: https://github.com/FoxxMD/multi-scrobbler/
The last time it was mentioned here, perhaps a couple of weeks ago, I tried to warm up my old last.fm account.
I once used it for a long time, but that time was maybe 20 years ago now. I wasn't even sure what my username, password, or email address would have been -- but I had some guesses.
So I guessed a few times. I guessed wrong. The wrong guesses apparently blocked me, since the sign-up page now always goes 403 for me.
When I tried with my pocket supercomputer instead, the infection spread to its signature as well: It 403s there, too.
Fun times.
I hope this is a good change for last.fm! I love the service but it's been trickier to use since I switched from Spotify to Apple Music.
Does anyone have a setup they're happy with for scrobbling from Apple Music across different types of devices?
QuietScrob on iOS/iPadOS works pretty well - it seems any breakage is due to Apple silently changing APIs more than anything on the dev's end.
On Desktop (macOS) I use the official Last.FM app - however it's still a Rosetta 2 app which will be sunset in the fall :(
On desktop devices, I'm using Cider.sh which supports scrobbling, and on Android I use Pano Scrobbler.
I love Last.fm, I've been scrobbling for over 20 years now.
It's amazing to me that they have managed to stick around like they have. They're very much an "old internet" site, and I hope they can stick around for many many more years.
Congratulations (I guess), but what does “independent” mean here? Who bought it from whom (and why)? Is it employee owned now? Is it transitioning to a foundation?
Many many years ago I wrote a small platform to serve as an off-ramp for Last users. They had just been acquired and it wasn't going over super well with users. "What I listen to" (coworker suggested the name), shortened to wilt.
17 year old me had no idea what I was getting into. It was the best and worst project I've ever worked on.
A lot of respect to the guys and girls still working on Last and I'm very excited to see where it goes from here.
one of the very first programming projects I took on was to figure out how to scrobble the records that I was playing. It was my first exposure to so many things: Ruby, FFIs, audio processing, audio fingerprinting (I think I used echo nest ?). Ended up going to local meetups to ask for advice.
last.fm is one of those services that is from the pinnacle of the open web.
Is anyone using last.fm in 2026? This made sense when people were playing MP3s in their Windows Media Player or Winamp, but as 99% of the people just stream music now, what is the purpose of this service?
It has been maybe a decade since I met someone who actually uses the service.
I still use it. I use the Pulsar music player on Android which has an Audioscrobbler built in. I have my entire mp3/flac collection extra compressed into opus files, so that my 120GB of music is only taking up 43GB on my phone. When I'm listening in the car or on the train I really can't tell the drop in quality.
I really enjoy having almost 2 decades of my music listening history to play with + I use a couple different streaming services as well as vinyl and local playback, so it's nice to see my overall habits.
I can’t stand streaming and wanted to get off all streaming services and now self host every single piece of my digital media. Last.fm is an important component for the music side of my services in order to use the last.fm api to track listens and provide recommendations.
I recently left streaming and started buying music again and in the process dusted off my 20 year old Last.fm account to begin scrobbling again
I still listen to the majority of my music as downloaded MP3s, but no, I do not use Last.FM anymore. I've become much more wary of being tracked and have no desire to give them information for free, much less pay for the privilege!
My partner swears by it for the Data when scrobbing with Deezer (and formally spotify.) He pays for it.
Wow, I hope this is good news! I'm in my 21st year of scrobbling and still so obsessed with the stats. Just recently, I built a browser extension [1] to make batch editing more convenient and to get even more data about my scrobbles.
[1] https://github.com/hummingme/scrobblescrubbler
This seems like a positive step. It never made sense (to me at least) for CBS Paramount to own it.
Huge opportunity to allow folk to own their own (meta)data. /fingerscrossed
I'm glad I kept using an Audioscrobbler since 2008. Right now I have it hooked up to Spotify, but I've used one with foobar2000 for non-streaming, and have found other players to have the functionality for the most part (at least the ones I've made use of). I even had an extension for Chrome and Firefox that would send the data from YouTube's website when I used to listen to music on there.
Happy they are independent and allowing access to their API. Seems like it may be time to work on a personal project to track the data in a way that matters to me, rather than just what you normally get built in.
There's still a ton of value in the historical recommendations on last.fm's site. What its future looks like, I'm not sure. I'd love to know who is going to operate it now that it is independent.
I'd recommend ListenBrainz for folks interested in similar tracking and some recommendations with clearer ownership.
For my own historical interests, I have a Navidrome plugin writing to my own API and surface charts across time periods by querying the postgres database it writes to.
yay! I love last.fm so much and glad they can maintain the platform
Congratulations to last.fm on this, although I'm not sure what I can do that actually "scrobbles" at this point. I went to their download page for the Mac desktop app, which somewhat forebodingly referred to "what you've been playing in iTunes" rather than Apple Music, and downloaded it anyway. It's an Intel-only app, not universal, and it doesn't appear to be signed, so macOS Tahoe screams about it being possible malware.
After going through the hula dance to open it anyway, it looks like it's working, but it sure doesn't look like it's received a lot of love recently.
Spotify scrobbles to Last.FM (it's built-in to Spotify as a setting somewhere, from memory). On Windows, MusicBee will scrobble everything you play through it. On Android, the Last.FM app can watch playback notifications of Android music apps that you select and scrobble those - the app itself doesn't have to have Last.FM support.
But I don't know about for Mac & iOS.
> it's built-in to Spotify as a setting somewhere, from memory
That setting has been removed a few years ago. It now works the other way round: You authorise last.fm to access your Spotify data.
There are a number of utilities like Neptunes (https://micropixels.software/apps/neptunes) that will do this for you on macOS.
I'm mostly unfamiliar with the current offering of last.fm, but the name is familiar from way back. Glad to see something well-liked reclaim some independence.
At a glance, they're providing an interface to YT sourced content with some value adds around tracking or categorizing listening.
A quick question for users: can the site itself be configured as a listener without streaming / displaying the video? In general, YT has a lot of music, but the perf hit of streaming typically high-quality video as well is a blocker when doing dev work on my main machine.
You can toggle between YouTube and Spotify as the default playback provider.
Note that you do need to be a premium Spotify user for it to work. That's not needed for YouTube, so that explains why YouTube is the default.
I'd be way more sold if I could pass in a static dump of my library music and get a handful of suggestions to demonstrate value.
Great news! Related[0]. The presentation video in the linked article from 2002 is a gem.
0: https://news.ycombinator.com/item?id=46266875
This is great news! I worked on the redesign and replatform with last.fm when they were part CBS Interactive. They were a lovely team of engineers and designers who cared about their product, and I appreciated their culture. Fun memories spending time in London with the team. Glad to hear they found a new home!
I've moved over to ListenBrainz, it's quite nice and I like that the data is open and not trying to be monitized
Unfortunately, unable to create an account on my laptop (WiFi) or phone (Verizon) - even in incognito.
> Your request was blocked
> To protect our website, our security firewall has flagged this request as potentially unsafe.
> Please try clearing your cookies and refreshing the page. > If the problem persists, try again later or on a different computer network.
> Error 406
edit: maybe they saw my message or fixed a bug? signup now works everywhere for me.
Listenbrainz has been an excellent alternative for me.
Downside of it is like all Metabrainz projects they seem to intentionally go and make everything as utterly ugly as possible. It feels like someone there intentionally thinks up ways to make the worst UX possible.
I don’t see how LB has a worse UX than LFM.
Looking forward to scrobbling again
Back in the day, was heavily influenced by last.fm for this BBC 6music GWAP mooso.fm
https://www.bbc.co.uk/blogs/radiolabs/2009/12/mooso.shtml
Wish I'd kept using my last.fm account. It's a shame that although Apple + Spotify both allow you to download your full listening history you can't upload it (and keep dates/times) to fill out your historical data. I'd start using it in a heartbeat again if they allowed that.
I don't know if I even have an account anymore, its been like 15 years since I last logged in...
Me too. I tried loggin in, and after a forced password reset I am back, though back to 2018 it turns out.
On Spotify I made a playlist with over 4,000 songs from Last FM. I remember doing it but I couldn't say how I did it now. And also a "loved" playlist which I am revisiting now. First track Whitest Boy Alive: Golden Cage, a stonker.
I hope that means it will improve now. There's such a rich space of features that they could do. Had some hope with their experimental Labs but I remember being underwhelmed and not seeing anything about it recently.
I loved last.fm when every tag was a custom radio station..
It's not anymore, right?
This is very exciting. The music landscape is just as chaotic as it was back in 2007 (when CBS acquired Last.fm) if not even more complex these days. Can't wait to see what's next. <3
I fear that what's next is AI slop music, pushed by record companies so that no performers or songwriters need to be paid.
So lastfm become relevant again because slop will not appear statistically in user scrobblings because of vast amount of "musicians" required to be profitable: if I listen to 1000 AI artists with one track produced and Linkin Park then my average will be Linkin Park
I have a history going back to 2012, which is great. I've always worried Spotify would stop working with last.fm, I wonder if this makes it more or less likely.
What a blast from the past. It was a pretty cool time to be a teenager in 04-06 with last.fm, MySpace, iPods, Limewire and music blogs.
No idea what last.fm is. Clicked the logo at the top of the forum, but that's one of those prank links that takes you to the page you're already on. Typed in last.fm manually and got
Your request was blocked
To protect our website, our security firewall has flagged this request as potentially unsafe.
i recommend installing a browser add-on like https://addons.mozilla.org/en-US/firefox/addon/web-scrobbler...
May be they will once again invest in their smartphone app.
Interesting! Hope they have a super lean team, and just focus on the niche, legacy web experience.
I honestly forgot last.fm was a thing. But good for them that they have independence now.
115,000 scrobbles: https://www.last.fm/user/whalesalad
I really only ever used it so that a girl I liked would be able to see what I was listening to. She commented on my page. We ended up getting together for a few years. I miss my youth.
I miss the internet of old, where you would meet up with a cute girl you met online and she turned out to be a 39 year old man from Wisconsin.
Hey, we had some good times together you and me.
same tbh
I think Last.fm might have been a better friend finding and dating app than any of its contemporaries or anything that came after. Seems like everyone in this thread or anyone I know IRL has a story of making a good connection with someone via it. I know I'll always cherish the people I got to know on there.
Music taste is probably the all time best indicator of compatibility tbh. You can go to shows together. You can jam out in the car together.
Sitting at 239,447, next to no scrobbling from 2017-2022, and I deleted my old account because of a piracy panic, so nothing before 2008. https://www.last.fm/user/YoshiSlen
Clicked join: "Your request was blocked. To protect our website, our security firewall has flagged this request as potentially unsafe."
Linux, Firefox, uBlock Origin. Nothing else special. I've really been looking for an alternative too. Thanks for at least showing me what to expect before sign up. Guess I'll pass.
Love last.fm
may it live a long life
I remember Last.fm's value proposition was 1) discovery and 2) community. (1) is (mostly, for most people) covered by "feed" algorithms of Spotify and YouTube.
I wonder how they're going to position themselves now.
As someone who used to hang out on various music forums...a human recommendation based on careful analysis of your last.fm scrobbles was infinitely more useful and accurate than anything Pandora/YouTube/Spotify/Tidal ever recommended me. Humans can infer not just what you like, but what you don't like.
To me, it always was the scrobbler. I've been tracking what I listen to for 15+ years.
Community largely died out already by 2012. Originally Last.fm enabled a lot of IRL socializing, connecting hipsters who lived in the same town and listened to the same music. Changes in music-listening habits, the atomization of tastes in a world where so much was available, and CBS not having a clue what to do with the site -- that killed Last.fm except for just a way to track one's own plays.
a recommendation algorithm that isn't a box of pain they sell to advertisers?
It was such a hassle exporting my data from last.fm to libre.fm when they were bought out in 2007 (and then all the founders left in 2009). But I'm glad I did it. While it's nice that last.fm is "independent" now, they're still for-profit and probably should be avoided.
And I try to "Start Now"
Your request was blocked To protect our website, our security firewall has flagged this request as potentially unsafe.
Please try clearing your cookies and refreshing the page. If the problem persists, try again later or on a different computer network.
Error 406
:)
I think this is fantastic change and wish them the best, this is probably just a small hickup I experienced and I wil try again later.
BTW, I recently cancelled my youtube premium, it was just too expensive. Never was subscribed to Spotify, so I need different ways to listen to music.
Last.fm & in particular audioscrobbling has been such an amazing joy to have in the world. Music is so important to me, and it's amazing having this system to help see over time what friends and I myself enjoy.
These days, for auduiscrobbling, I recommend folks use either teal.fm (which alas is somewhat DIY or find-a-friend for their API service) or rocksky.app. There's a better credible exit, as it's based on atproto/Bluesky protocols, and a richer world of apps & interconnectivitiws emerging.
This is awesome! Anyone know who the humans behind the new company are?
Some previous discussions on this note:
Last.fm and Audioscrobbler Herald the Social Web: 2002
https://news.ycombinator.com/item?id=46266875
Last.fm turns 20
https://news.ycombinator.com/item?id=33722862
"The company has generated an operating loss for the year to 31 December 2024 of £690,252 (2023: profit of £1,509,544) and revenue of £2,215,381 (2023: £1,960,340). As at 31 December 2024, net liabilities were £45,506,488 (2023: £44,855,202)."
"The financial statements have been prepared on a going concern basis on the grounds that Paramount Global has confirmed that it will continue to provide financial and other support to Last. FM Limited at least for the next twelve months and thereafter for the foreseeable future to enable Last.FM Limited to continue to meet all its liabilities as they fall due."
I wonder what their financing plan is, and what shape this independence will take, whether Paramount is retaining a minority ownership take? Seems like they might just be able to scrape break even based on current revenue.
Where did you get this quote? I can't seem to find the source
U.K. company accounts are public.
https://find-and-update.company-information.service.gov.uk/c...
Click “view PDF” for “Full accounts made up to 31 December 2024”.
They have a lot of users paying to track their listening habits; I'm surprised.
Anyone else music listening habits change in the past six months to listening to one owns AI Slop? My slop (been a real hobby songwriter of melodies & lyrics since a kid..decades ago) has the most meaning to me it’s just not me singing. Now it sounds pro and some ppl when I’m playing it actually like it vs. my own rough demos (guitar, vocal and added drums/bass via GarageBand). I actually don’t care if others hear my slop as it’s all my own ideas…words and melodies which have way more meaning then Listening to another’s music/songs.
I’ve been telling close friend about this and then I see this verge article saying in not the only one https://www.theverge.com/ai-artificial-intelligence/937059/n...